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- #Driver for blue snowball drivers
- #Driver for blue snowball pro
- #Driver for blue snowball professional
For whatever reason, I could not get the Snowball to work with Adobe Audition 1.5 (that being said, it did work with Adobe Audition 3.0 on Vista and XP with the ASIO4ALL drivers installed). I tested the Snowball in a variety of audio computer environments (with a PC, using XP and Vista) including, Audacity, Adobe Audition 1.5 and 3.0, Goldwave, Skype, Krystal and the XP Sound environment. So thanks to Barbara and her generosity, I was able to acquire her Snowball microphone to “give it a whirl”. I was talking with Barbara Freedman, who has a great music technology site, over at, about these issues and she said that she had a Snowball microphone and would gladly send it to me to look at and review. Why was I interested in getting my hands on this particular microphone? I already had a Blue Kickball microphone (which is KickBUTT!), but I had not worked with a USB microphone up until this point and had read a lot about the shortcomings of the “first generation” USB microphones, especially with regard to latency issues. True to it specs., it does pick up a pretty impressive degree of frequencies, 40 Hz to 18kHz. Another great option with the Snowball is the three-pattern switch which allows for changing the recording pattern from cardioid to omni, or cardioid with a -10dB pad applied (in order to accomplish this it has two capsules inside it) . That is, you plug it into your comptuer and it works (no drivers needed). The big “hook” with the Snowball is that it is a USB, plug and play, condenser microphone. In order to help with some of the thumps and bumps you might pickup while using them to record they offer the Blue “Ringer”, which is a suspension unit for the microphone that gives a “vintage” look and helps with picking up unwanted “knocks” with the microphone. Blue Microphones have been making their “ball” type microphones for a number of years now and the “Snowball” is their latest USB offering.Īt first glance the Blue “Ball Microphones” look quite different, the mics themselves are about as big as a softball and varied in color the Snowball is, as you would expect, white. Retrieved July 7, 2010.The Blue Snowball Microphone is definitely on the “cool” end of USB Microphones.
"Blue Microphones sells to Logitech for $117 million". ^ "Transom Capital Group Completes Sale of Blue Microphones".^ "Transom Capital Acquires Blue Microphones".^ "Blue Microphones turns up the volume".
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^ Nathan Olivarez-Giles (July 21, 2009).
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In July 2018, Logitech announced plans to acquire Blue Microphones for $117 million USD. Intrepid Investment Bankers advised BLUE Microphones in the transaction. In 2013, The Riverside Company acquired BLUE Microphones from Transom Capital. In 2008, Skipper and Martins sold BLUE Microphones to Transom Capital, a private Equity firm from Southern California.
#Driver for blue snowball pro
That microphone became popular with aspiring pro musicians and dedicated hobbyists as an alternative to renting time in a recording studio. With a nudge from Apple Inc., the Westlake Village company created a low-cost condenser microphone called the Snowball for use with music recording software, GarageBand. Jessica’s perspective was to collaborate with other aspiring creatives online, synonymous with the needs of the developing consumer world of technology in the 90’s. Jessica grew up playing softball with Skipper, so she made the shape with her hand when suggesting the microphone idea of what is known today as the Snowball-the exact dimensions of a softball. At the time, Skipper’s daughter Jessica, an aspiring singer at age 12, suggested to Skipper to create a microphone for sending audio recordings through the internet.
#Driver for blue snowball professional
The company is headquartered in Westlake Village, California, United States.īLUE Microphones first creation began by manufacturing the “bottle,” a versatile studio XLR microphone encompassing interchangeable capsules curated to isolate sonic signatures for any application, and became widely used among professional recording musicians. The company's name is a backronym for Baltic Latvian Universal Electronics. BLUE Microphones was founded in 1995 by American session musician Skipper Wise and Latvian recording engineer Mārtiņš Saulespurēns.